INTERMEDIA

IntermediA

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For the hypertext system, see Intermedia (hypertext).
For the film studio, see Intermedia (production company).

Intermedia was a concept employed in the mid-sixties by Fluxus artist Dick Higgins to describe the ineffable, often confusing, inter-disciplinary activities that occur between genres that became prevalent in the 1960s. Thus, the areas such as those between drawing and poetry, or between painting and theater could be described as intermedia. With repeated occurrences, these new genres between genres could develop their own names (e.g. visual poetry or performance art.)
Higgins described the tendency of the most interesting and best in the new art to cross the boundaries of recognized media or even to fuse the boundaries of art with media that had not previously been considered art forms, including computers.
"Part of the reason that Duchamp's objects are fascinating while Picasso's voice is fading is that the Duchamp pieces are truly between media, between sculpture and something else, while a Picasso is readily classifiable as a painted ornament. Similarly, by invading the land between collage and photography, the German John Heartfield produced the what are probably the greatest graphics of our century..."
—Higgins, Intermedia, 1966)
With characteristic modesty, he often noted that Samuel Taylor Coleridge had first used the term.
In 1968, Hans Breder founded the first university program in the United States to offer an M.F.A. in intermedia. The Intermedia Area at The University of Iowa graduated artists such as Ana Mendieta and Charles Ray. In addition, the program developed a substantial visiting artist tradition, bringing artists such as Dick Higgins, Vito Acconci, Allan Kaprow, Karen Finley, Robert Wilson and others to work directly with Intermedia students. The program is currently headed by Jon Winet (Xerox PARC Artist in Residence in the 1990s). The technical supervisor, and also an integral part of the culture of the Intermedia Area and graduate of the program himself, is Steven Strait.
Over the years, especially on the Iowa campus, "Intermedia" has been used interchangeably with "Multi-media." However, recently the latter term has become identified with mixed-media in the arts and electronic media in pop-culture. While Intermedia values both disciplines, the term "Intermedia" has become the preferred term for interdisciplinary practice.
Intermedia is also a non-profit NGO based in Pakistan that aims at promoting an informed, democratic and tolerant society by supporting and strengthening free media as an effective tool for social progress.

[edit] References
Dick Higgins, Intermedia, Something Else Newsletter 1, 1966

[edit] See also
Sound art
Sound sculpture
Sound installation
Fine Art
Conceptual Art
Internews
Classificatory disputes about art
Interdisciplinarity
Syncretism
Media convergence
Expanded Cinema